Fadeaway (Live 1995)

BoDeans

The Zoo Crew is spinning "Fadeaway (Live 1995)" by BoDeans from their live album Joe Dirt Car, a track that captures the raw energy of their performances. Recorded at Noe Valley Ministry in San Francisco on May 28, 1994, this rendition of "Fadeaway" showcases the band’s ability to transform their studio sound into a haunting, live experience. In a 2015 interview with Sound and Vision, vocalist Sam Llanas noted that the band’s finest moments were always onstage, where simple instrumentation and pure vocals shone through, a quality he felt was best captured on Joe Dirt Car. Fans on Radio Paradise have mixed feelings about the live version, with some praising its emotional depth and Kurt Neumann’s chiming guitar, while others found it overly maudlin or felt it lacked the subtlety of earlier performances after Llanas’ departure from the band. The song’s repetitive refrain, “She might fade away,” stretches over 24 repetitions, creating a hypnotic, almost meditative quality that divides listeners—some call it a fantastic live track that never gets old, while others joke it’s a song the band didn’t know how to end.

The origins of "Fadeaway" trace back to BoDeans’ 1986 debut album, Love & Hope & Sex & Dreams, but the live version on Joe Dirt Car amplifies its emotional weight. The album itself, released in 1995, is a two-disc set compiling performances from 1989 to 1995, reflecting the band’s struggle to replicate their live magic in the studio. A fan comment on Last.fm highlights the song’s impact, noting how it captured the “magic and magnetism” of a Sacramento concert. The track’s key of C, shared with other BoDeans songs, contributes to its seamless flow in live sets, as noted by Radio Paradise listeners. The live recording also marks a period of transition for the band, as legal battles with their longtime manager Mark McCraw were brewing around this time, adding a layer of tension to their mid-90s output.

BoDeans began in Waukesha, Wisconsin, when high school friends Kurt Neumann and Sam Llanas met at Waukesha South High School in 1977. Bonded by their shared love of music, they started writing songs together, initially under the name Da BoDeans in 1980. Neumann, who initially saw himself as a drummer, and Llanas, a novice guitarist, both took up singing and guitar to pursue their musical ambitions. After Llanas briefly attended college, Neumann convinced him to focus on music full-time. By 1983, they were playing Milwaukee’s East Side music scene, practicing in a garage owned by their early manager Mark McCraw. Without a rhythm section, they recorded demos at McCraw’s university studio, playing all instruments themselves. In 1984, drummer Guy Hoffman joined, and their first recorded song, “Sally,” appeared on a Milwaukee Sampler compilation. To address the lack of a bassist, Neumann modified his Fender Esquire with additional pickups to capture low-end frequencies, a creative workaround that shaped their early sound.

The band’s big break came in 1985 when they signed with Slash/Warner Records, shortening their name to BoDeans at the label’s suggestion. Under producer T Bone Burnett, they recorded their debut album, Love & Hope & Sex & Dreams, in 1986, which earned them a Rolling Stone reader poll award as Best New American Band in 1987. Their sound, rooted in roots rock and heartland rock, evolved into alternative rock, leading to mainstream success with hits like “Closer to Free,” the theme song for the TV series Party of Five. Despite challenges, including Llanas’ departure in 2011 and legal disputes, BoDeans have maintained a steady touring and recording schedule, cementing their status as one of Milwaukee’s most successful bands, with a permanent installation at the Rock and Roll Hall of Fame Museum in Cleveland.

You can follow BoDeans on their official website or connect with them on social media via Facebook, Instagram, and X. Fans can also join the BoDeans Fan Club on Facebook to engage with fellow Zoo Freaks and share stories about tracks like “Fadeaway.” While no standalone fan websites are widely prominent, the band’s active social media presence and fan group provide ample space for community interaction and updates on their latest performances.


 

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