The song "New Orleans Needs Stronger Dikes" by Dash Rip Rock from their 2008 album Country Girlfriend is a tongue-in-cheek commentary wrapped in the band’s signature raucous rockabilly-punk sound. Inspired by the aftermath of Hurricane Katrina, the song’s provocative title references the levee failures that devastated New Orleans in 2005. In a 2008 interview with OffBeat Magazine, frontman Bill Davis explained that the song was meant to be both humorous and pointed, saying, “It’s a double entendre, poking fun at the Army Corps of Engineers while giving a nod to the city’s wild spirit.” The track’s lyrics blend irreverence with a love for New Orleans’ resilience, capturing the band’s knack for tackling serious topics with a rebellious grin. Its high-energy tempo and gritty guitar riffs make it a fan favorite at live shows, where Zoo Freaks would likely lose themselves in the mosh pit.
Trivia about the song includes its controversial reception; some local radio stations hesitated to play it due to the title’s suggestive nature, as noted in a 2009 Billboard article about Dash Rip Rock’s regional impact. However, the band leaned into the controversy, with Davis tweeting in 2010 from their now-defunct X account, “If you can’t handle the title, you don’t get New Orleans.” Social media posts from fans on Dash Rip Rock’s Facebook page often mention the song as a highlight of their concerts, with one fan in a 2015 comment recalling a Baton Rouge show where the crowd chanted the chorus so loudly it drowned out the band. The song also appeared in a 2010 episode of the TV show Treme, underscoring its cultural tie to the city’s post-Katrina recovery narrative.
Dash Rip Rock formed in 1984 in Baton Rouge, Louisiana, when Bill Davis, a guitarist with a penchant for blending punk, country, and rock, teamed up with drummer Fred Weaver and bassist Hoaky Hickel. According to a bio on their official website, the trio started playing covers of Johnny Cash and The Cramps in local dive bars, quickly gaining a cult following for their high-octane performances. Davis, a Louisiana native, drew inspiration from the state’s rich musical heritage, citing influences like Doug Kershaw and The Stooges in a 2013 Austin Chronicle interview. Their early gigs at venues like the Chimes in Baton Rouge were chaotic, with Hickel once breaking a bass string and continuing to play through the blood, a story recounted in a 2018 fan post on the Dash Rip Rock Fan Club Facebook group. This raw energy defined their rise in the Southern rock scene.
The band’s breakthrough came with their 1987 self-titled debut album, which caught the ear of Mammoth Records. Their relentless touring, often playing 200 shows a year, solidified their reputation as a live act, as detailed in a 2020 bio update on Dash Rip Rock’s Instagram. Over the decades, they’ve shared stages with acts like The Replacements and Drivin’ N’ Cryin’, evolving their lineup while staying true to their roots. Davis remains the constant, his songwriting driving albums like Country Girlfriend. Fans can connect with the band through their X account, where they post tour updates, or join discussions on fan sites like dashriprock.com, a fan-maintained archive of setlists and photos. The Dash Rip Rock Fan Club on Facebook is another hub for Zoo Freaks to share stories and plan meetups at shows.
Our passionate volunteer Zoo Crew, veteran rock jocks and music die-hards, is dedicated to restoring radio's greatness. We will make it great again with your help. Join the radio revolution.