That’s Alright (Live 1974 / ZOO Broadcast)

The Zoo Crew is spinning "That’s Alright (Live 1974 / ZOO Broadcast)" by Freddie King, a soulful acoustic track from the album Live At The Electric Ballroom, 1974, and the Zoo Freaks are in for a treat. This song, a cover of Jimmy Rogers' classic, was recorded during a radio session for KZEW-FM in Dallas, hosted by DJ Jon Dillon. What makes this track special is Freddie’s rare acoustic performance, as he was known primarily for his electric Texas blues. During the interview segments interspersed in the album, Freddie humbly insists he’s not an acoustic guitarist, yet his renditions of "That’s Alright" and "Dust My Broom" showcase his versatility and raw talent. The relaxed, spontaneous vibe of the session, complete with laughter from those present, captures Freddie’s affable personality and deep blues knowledge—he even casually mentions B.B. King’s age without hesitation, revealing his familiarity with the blues scene.

Another tidbit about this recording is its unique context within the album. Unlike the electric, full-band tracks that dominate the Live At The Electric Ballroom, 1974 set, "That’s Alright" is part of a quieter, intimate moment. The song was performed solo, highlighting Freddie’s ability to strip down his style while still delivering emotional depth. Fans on platforms like YouTube have praised this track for its authenticity, with comments noting how Freddie’s acoustic take feels like a nod to the roots of blues. The KZEW session, preserved on reel-to-reel and digitally restored for the 1996 release, offers a glimpse into Freddie’s charisma and musicianship, making it a standout for collectors and blues enthusiasts alike.

Freddie King, born Fred Christian on September 3, 1934, in Gilmer, Texas, got his start in music at the tender age of six, when his mother, Ella May King, and uncle began teaching him guitar. Growing up in a musically rich environment, Freddie was drawn to the blues early on, influenced by the raw sounds of Texas and later the urban edge of Chicago. As a teenager, he moved to Chicago, where he immersed himself in the vibrant blues scene, forming his first band, the Every Hour Blues Boys, with guitarist Jimmie Lee Robinson and drummer Frank "Sonny" Scott. Despite facing rejections from Chess Records, Freddie’s persistence paid off when he signed with Federal Records in 1960. His breakthrough came with the instrumental "Hide Away" and the single "Have You Ever Loved a Woman," which climbed the R&B charts and established him as a force in electric blues.

Known as one of the "Three Kings of the Blues Guitar" alongside B.B. King and Albert King, Freddie’s career was marked by his soulful voice and distinctive guitar style, blending Texas and Chicago influences. His aggressive, string-bending leads influenced rock icons like Eric Clapton, Stevie Ray Vaughan, and Keith Richards. Though Freddie passed away in 1976, his legacy lives on through his music and fan communities. His official website, freddieking.net, offers insights into his discography and legacy. Fans can connect on social media via the Freddie King Official Facebook page and the Freddie King Official Instagram. On X, the handle @FreddieKing_TX shares updates and tributes. For deeper engagement, fans gather at the Freddie King Fan Group on Facebook, where enthusiasts share stories, rare recordings, and appreciation for the Texas Cannonball’s enduring impact.