As Above So Below

Manfred Mann's Earth Band

The song "As Above So Below" by Manfred Mann's Earth Band from their 1975 album Nightingales & Bombers carries a fascinating backstory tied to its creation and unique sound. This track, credited to Manfred Mann, Mick Rogers, Chris Slade, and Colin Pattenden, was crafted from a live jam session recorded on December 18, 1973, at the Marquee Club in London. Originally part of a 16-minute live rendition of Bob Dylan’s "The Mighty Quinn," the segment was edited and transformed with overdubbed sound effects, including the iconic nightingales and RAF bombers from a 1942 BBC recording. This accidental wartime recording, made by an ornithologist in Surrey, England, captured the juxtaposition of nature’s beauty and the chaos of war, inspiring the album’s title and lending a haunting atmosphere to the track’s close. The song also features reversed female backing vocals, adding an ethereal, otherworldly texture to its progressive rock foundation. Fans on platforms like ProgArchives praise its experimental edge, noting how the band’s use of Manfred Mann’s Minimoog synthesizer and Mick Rogers’ guitar work creates a dreamlike crescendo that blends free rock and jazz influences.

Another layer of intrigue comes from the song’s production challenges. According to a post on Eddie’s Rock Music blog, Manfred Mann himself described Nightingales & Bombers as a difficult album to assemble, suggesting the band was pushing the boundaries of their creative direction. The live origin of "As Above So Below" showcases their improvisational prowess, with Mann’s layered synthesizer and organ solos building over a rhythmic shuffle, complemented by guitar licks and backing vocals from Ruby James, Doreen Chanter, and Martha Smith. The track’s inclusion as the B-side to the "Spirits in the Night" single further highlights its significance, offering fans a glimpse into the band’s live energy. Social media buzz on Facebook from fan groups like the Manfred Mann’s Earth Band Fan Group often highlights the track’s atmospheric quality, with some calling it a standout for its blend of progressive rock and historical resonance.

Manfred Mann's Earth Band was formed in 1971 by South African keyboardist Manfred Mann, born Manfred Sepse Lubowitz, who sought a new creative outlet after the pop success of his 1960s band, Manfred Mann, and the jazz-fusion experiment of Manfred Mann Chapter Three. Growing up in Johannesburg, Mann was influenced by jazz and R&B, teaching himself piano and immersing himself in the local music scene before moving to London in 1961. His early band, named after himself, scored hits like "Do Wah Diddy Diddy" and "The Mighty Quinn," but Mann grew restless with the constraints of pop and the jazz-heavy rules of Chapter Three. Forming the Earth Band with Mick Rogers (guitar, vocals), Colin Pattenden (bass), and Chris Slade (drums), Mann embraced a progressive rock sound infused with jazz and blues, allowing for greater experimentation. Their early albums, including their 1972 self-titled debut, drew from influences like Miles Davis’ jazz-rock fusion, with covers like Bob Dylan’s "Please Mrs. Henry" setting the stage for their signature reinterpretations of other artists’ work.

The band’s official website, manfredmann.co.uk, offers tour dates, news, and insights into their discography, while their Facebook page keeps fans updated with posts about milestones like the 1986 release of Criminal Tango or tributes to late bassist Pat King. Although they lack an official Instagram account, fans share content on platforms like X, where posts celebrate tracks like "As Above So Below" for its innovative sound. The Manfred Mann’s Earth Band Fan Group on Facebook is a vibrant community where "Zoo Freaks" can connect, share vinyl finds, and discuss live performances. For deeper dives, fan sites like Platform End and ProgArchives offer detailed reviews and discographies, while StarlingDB provides critical perspectives for dedicated listeners. The Earth Band’s enduring appeal, driven by Mann’s vision and their bold covers, continues to resonate with fans worldwide.


 

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