The Zoo Crew has got the turntable spinning on "Galaxy Song," the Monty Python number that rides out under Professor Stephen Hawking's voice on the single "Stephen Hawking Sings Monty Python...Galaxy Song." If you have ever stood out on the porch after a long ride and felt smaller than a match head under a big Texas sky, this is the record that puts words to that feeling, then hands you a grin. It started life in Monty Python's The Meaning of Life in 1983, written by Eric Idle with John Du Prez, and it still does the same job it did then. Life gets loud, people get foolish, and the song reminds you that you are standing on a planet that is spinning, orbiting, and hauling the whole neighborhood around the Milky Way whether you filed the paperwork or not.
In the film the bit arrives inside the Live Organ Transplants sketch. John Cleese's surgeon cannot talk Terry Jones's Mrs. Brown into giving up her liver, so he opens the refrigerator and out steps Idle in a pink morning suit, crooning like a lounge act that wandered in from another galaxy. The lyric is a guided tour. The Earth revolving at nine hundred miles an hour, orbiting at nineteen miles a second, the sun and the stars sliding along an outer spiral arm, a hundred thousand light years from side to side, one galaxy among millions of billions in a universe that keeps on expanding. Idle has said he wrote it in Provence around 1981, when those figures were the best the books had. He later told the troupe's own site that some smug page had picked the numbers apart, so he updated them for a tour, only to hear he had been closer the first time. "Tell the bastards to make up their minds," was the gist. That is pure Python. Correct the cosmos, then correct the correctors.
The single came out in Britain on 27 June 1983 and crawled to number 77, with "Every Sperm Is Sacred" on the flip. It sat on the film soundtrack, then on the 1989 album Monty Python Sings, and again on the 2014 reissue Monty Python Sings (Again). Country singer Clint Black cut his own version in 1999 on D'lectrified, with an outside intro he wrote with Idle. None of that prepared anybody for what happened when the surviving Pythons took the O2 in London for Monty Python Live (Mostly), the run they billed as One Down Five to Go.
On the film insert that played those nights, Professor Brian Cox stands at Cambridge and starts fussing over the scientific slip-ups in the lyric. Hawking rolls up in the motorized chair, knocks Cox over, and tells him not to be so pedantic. Then the synthesized voice takes the song and lifts off through the stars. Idle has talked about the outtakes from that show. He would play Hawking the track and watch for the smile. It was not easy. The range of movement was small. When the mouth went up, Idle said, it was lovely. Hawking had been a Python fan for years, and when Idle asked him to take part he agreed in about a minute. Idle has also pointed out that they were contemporaries at Cambridge. When Idle, Cleese, and Graham Chapman were coming up through the Footlights, Hawking was on the same ground, still walking, sharing the same college humor. The 2015 Record Store Day single put that rendition on a thousand copies of seven-inch vinyl, cover art by Terry Gilliam, with a digital version out a few days earlier. A framed copy later hung in Hawking's own office and ended up with the Science Museum. That is a long way from a refrigerator door in a film about the meaning of life.
The troupe behind the song did not arrive as a polished act. Monty Python's Flying Circus grew out of the university revue circuit at the end of the 1960s. Idle was born in South Shields in 1943. His father, an RAF sergeant, was killed in a road accident hitchhiking home on compassionate leave at Christmas 1945. Idle was sent to a war-orphans' boarding school in Wolverhampton, paid for by the RAF Benevolent Fund, and he has said comedians are formed early, usually the ones whose mothers are not around. He read English at Pembroke College, Cambridge, and in his last year became president of the Footlights. He changed the rules so women could join. Germaine Greer was among the first through the door. After a short season in rep and writing for radio and for The Frost Report, he landed in Do Not Adjust Your Set with Michael Palin, Terry Jones, and the American animator Terry Gilliam. That children's show was strange enough, and successful enough, that the BBC gave the lot of them a late-night slot. John Cleese and Graham Chapman, already paired from Cambridge, came aboard. Flying Circus ran from 1969 to 1974. The others wrote in pairs. Idle wrote alone, the wordplay man, the one who would rather sing a problem than explain it.
From there the films stacked up. And Now for Something Completely Different, Holy Grail, Life of Brian, the Hollywood Bowl show, then Meaning of Life, which is where Galaxy Song lives. Idle's other lasting tune from that run is Always Look on the Bright Side of Life, whistled by men on crosses. Galaxy Song is the companion piece. One tells you to keep your chin up. The other tells you why your chin does not matter all that much against a hundred thousand light years. Hawking's reading does not wink. The voice is flat and exact, which makes the consolation funnier and somehow kinder. You are tiny. So is the argument you had in the parking lot. So is the bill. The planet keeps revolving anyway.
The Zoo Freaks know the feeling. Freeform radio was built for records that do not fit a format, and this one never did. It is a comedy song, a science lecture, and a lullaby for anybody who has looked up and lost the plot in the best way. You can hear it the way the Crew is playing it, between the deep cuts, on THE ZOO, where the turntables still answer to the room and not to a clock.
The troupe keeps the old shop open at the official Monty Python website, and that is where the release note for "Stephen Hawking Sings Monty Python...Galaxy Song" still sits, calling the thing an intricate lecture on the enormity of the universe fashioned into a highly amusing pop song. The same crowd posts on Facebook, on Instagram, and on X. Fans who want the longer conversation gather in the Monty Python Fans group, a busy room that sticks to the lads and the work. Put the needle down, let Hawking take the verse, and remember you are moving at a ridiculous speed even when the chair feels still.