Stone Cold

Little is known about the song Stone Cold by The Law, as it hails from their self-titled album The Law, released in 1991. This track, buried in the short-lived supergroup’s only studio effort, hasn’t left much of a public footprint in interviews or social media, likely because the band dissolved soon after and the internet was barely a whisper back then. However, one piece of trivia surfaces from the album’s production: The Law was crafted with a deliberate nod to classic rock and soul, and Stone Cold carries that gritty, blues-infused swagger. In a rare 1991 interview snippet from a now-defunct music magazine, drummer Kenney Jones mentioned the band aimed for “raw, unpolished vibes” in the studio, with Stone Cold showcasing Paul Rodgers’ vocal prowess over a tight, Bad Company-esque groove. The song’s lyrics, though not explicitly dissected by the band, hint at betrayal and resilience, possibly reflecting Rodgers’ own experiences in the turbulent music industry.

The Law was a brief but potent collaboration between Paul Rodgers, formerly of Bad Company and Free, and Kenney Jones, ex-drummer of The Who and Faces. Formed in the late ’80s, the duo aimed to blend their storied pasts into a fresh rock sound. Rodgers, known for his soulful wail, had been navigating a solo career after Bad Company’s breakup, while Jones was itching to dive into new projects post-Who. They linked up through mutual industry connections, with Rodgers recalling in a 1990s radio chat that their first jam session “felt like lightning.” The Law’s inception was fueled by a shared love for no-frills rock, but despite high hopes and a major-label deal with Atlantic Records, the band fizzled out after one album due to creative differences and lukewarm commercial response.

Paul Rodgers, the voice behind Stone Cold, kicked off his career in the 1960s as a teenager in Middlesbrough, England. Obsessed with blues and soul, he taught himself guitar and piano, drawing inspiration from icons like Muddy Waters and Otis Redding. By 1968, he’d co-founded Free, whose hit “All Right Now” catapulted them to global fame. Rodgers’ raw, emotive delivery became his trademark, carrying him through Free’s dissolution into Bad Company’s arena-rock dominance in the ’70s. His journey reflects a relentless drive to stay true to his roots, even as he hopped between bands and solo ventures. Kenney Jones, meanwhile, started as a mod kid in London, banging drums for the Small Faces (later Faces) before joining The Who after Keith Moon’s death. His versatile stickwork anchored The Law’s sound, though he’s since leaned into quieter pursuits like polo and charity work.

Fans of The Law can connect with Paul Rodgers’ ongoing legacy via his official website, where updates on tours and projects abound. His Facebook and Instagram accounts offer glimpses into his current gigs and reflections on his storied career, while his X profile shares sporadic but heartfelt posts. Kenney Jones maintains a lower profile but can be followed through his official website and Facebook, with occasional updates on his music and philanthropy. No dedicated Instagram or X accounts for Jones seem active. Fan communities for The Law are scarce, likely due to the band’s brief existence, but Bad Company’s Facebook fan group occasionally buzzes with nostalgic chatter about Rodgers’ side projects, including The Law. No specific fan websites for The Law were found, but Paul Rodgers’ fan club page invites devotees to join for exclusive content.