Winning Ugly

Zoo Freaks, get ready for some gritty vibes as The Zoo Crew spins "Winning Ugly" by The Rolling Stones from their 1986 album Dirty Work. This track, one of Mick Jagger’s key contributions alongside "Back to Zero," drips with cynicism, painting a picture of a ruthless protagonist who’ll do anything to win, even if it’s morally questionable. The lyrics, like “I never turn a hair, just like the politicians,” showcase Jagger’s knack for social commentary, critiquing power-hungry ambition. According to Rolling Stones Data, the song reflects the tense dynamic between Jagger and Keith Richards during the album’s production, which may explain why it never made it onto their tour setlists. The track’s ’80s polish, with Chuck Leavell’s synths and a Duran Duran-esque vibe, was a departure from the Stones’ raw roots, reportedly influenced by visits from Duran Duran members during the Dirty Work sessions.

Behind the scenes, "Winning Ugly" had its own quirks. Two extended 12-inch single versions, the "London Mix" and "NY Mix," were released, giving DJs like The Zoo Crew some extra grooves to spin. Keith Richards has said the song’s riff drew inspiration from Marvin Gaye classics like "Stubborn Kind of Fellow," though fans on Reddit’s r/rollingstones argue the ’80s production overshadows any Motown spirit. Some fans, like user beardlesshipster, rate it highly, giving it a 7.5/10 for its catchy drive and John Regan’s standout bassline, calling it a gem despite its non-classic Stones sound. Others, like Craig from Melbourne on Songfacts, are less kind, dubbing it the worst Stones song ever. Regardless, its raw energy and biting lyrics make it a perfect fit for the Zoo Freaks’ rebellious spirit.

The Rolling Stones kicked off their legendary journey in London in 1962, rooted in the gritty sounds of Chicago blues and early rock and roll. Mick Jagger, Keith Richards, Brian Jones, Bill Wyman, and Charlie Watts formed the core lineup, with Jones initially leading the charge. Their manager, Andrew Loog Oldham, joined in 1963 and pushed Jagger and Richards to write original songs, sparking a creative partnership that would define the band. Early on, they covered blues standards, but Oldham’s vision to make them “a raunchy, unpredictable bunch of undesirables” shaped their bad-boy image. Their favorable deal with Decca Records gave them artistic control and high royalties, setting them apart from other new acts. By the mid-’60s, albums like Aftermath and hits like “(I Can’t Get No) Satisfaction” cemented their status as rock’s definitive rebels, a legacy that still resonates with Zoo Freaks today.

Stay connected with The Rolling Stones through their Facebook, Instagram, and X accounts for the latest updates and throwbacks. Fans can dive deeper at Rolling Stones Data, a treasure trove of band history, or join discussions on the r/rollingstones subreddit. For those craving community, check out the It’s Only Rock’n Roll (IORR) fan site or the Rolling Stones Fans Facebook group, where Zoo Freaks can geek out over trivia and share their love for the band’s timeless sound.