Slip Kid

The Who

The Zoo Crew is spinning "Slip Kid" by The Who, a track from their 1975 album The Who by Numbers, and the Zoo Freaks are surely vibing to its gritty energy. This song, penned by Pete Townshend, was originally meant for his ambitious but shelved Lifehouse rock opera, a project that also birthed classics on Who's Next. Revived for The Who by Numbers, "Slip Kid" was written as a cautionary tale about the music industry’s pitfalls. Townshend once described it as “a warning to young kids getting into music that it would hurt them — it was almost parental in its assumed wisdom,” a sentiment that resonates with the song’s raw lyrics about struggle and disillusionment. Its relevance extends beyond music, with Townshend noting in 2015 that the song could fit the perspective of a young person caught in extreme circumstances, like joining a conflict abroad. The track’s infectious 4/4 syncopated beat, driven by drums, cowbell, and Townshend’s iconic guitar riffs, kicks off with him counting “one, two, three, four, five, six, seven, eight,” setting a rebellious tone.

Despite its power, "Slip Kid" didn’t catch fire as a single in the U.S. and Canada, where it was released in August 1976 with “Dreaming from the Waist” as the B-side. Critics, however, have since hailed it as a gem. Rolling Stone ranked it the 36th best Who song, calling it “deceptively bouncy,” while Ultimate Classic Rock placed it 12th, dubbing it “easily the most underrated single in the Who’s career.” Fans on Reddit’s TheWho community echo this love, with one user in 2024 proclaiming it the greatest Who single for its timeless energy. The song’s live performances are rare but memorable, like an unrehearsed rendition in Washington, D.C., on March 24, 2016, when Roger Daltrey swapped it for “Eminence Front” due to Townshend’s throat issues, declaring, “It’ll be a bit lumpy... but who gives a sh*t. It’s rock!” A cover by Anvil and Franky Perez even made it onto the Sons of Anarchy: Songs of Anarchy Vol. 3 soundtrack, showing its lasting cultural reach.

The Who formed in London in 1964, evolving from earlier bands like The Detours and The High Numbers, with Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass), and Keith Moon (drums) cementing their lineup. Their early days were rooted in the mod subculture, sporting sharp suits and Union Jack jackets to appeal to London’s youth. Their raw energy and provocative lyrics, like those in their 1965 hit “My Generation,” captured the alienation and rebellion of the era. Townshend’s guitar-smashing antics and Moon’s wild drumming made their live shows legendary, blending chaos with artistry. Managed by Kit Lambert and Chris Stamp, they honed their sound through relentless gigging, with early singles like “I Can’t Explain” and “Substitute” channeling youthful frustration into sonic fury. By the late 1960s, they’d ditched the mod look but kept their edge, pioneering the rock opera with 1969’s Tommy, which skyrocketed them to global fame.

The band’s journey wasn’t without turbulence. Townshend’s ambitious Lifehouse project collapsed, leading to a nervous breakdown, though it yielded 1971’s Who’s Next. The 1970s saw them at their peak with albums like Quadrophenia, but personal struggles, including Moon’s tragic death in 1978, tested their resilience. Despite setbacks, The Who’s influence endures, with over 100 million records sold and a legacy of pushing rock’s boundaries. You can follow them on their official Facebook, Instagram, and X accounts for updates on tours and releases. Fans gather at sites like The Hypertext Who and The Who Concert Guide, while the Who Are You? Facebook group offers a space for Zoo Freaks to connect over their love for the band’s timeless sound.


 

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